![]() ![]() ![]() 14-18) is about the reconstruction of the destroyed city of Zion in this canto Zion is personified as God's (forsaken) wife. The concluding Canto IV represents the dénouement of the hymn. In the present article I argue that Isa 49,14-21 consists of two 7-line cantos. 6, 11a–b and 16c–d highlights the opening lines of the second, third and fourth canto. The verbal recurrences further enhance the relationship between the 3-line strophes.¹² In Psalm 77 the Masoretic verse division indicates that the 9For this basic insight, see my Cantos and Strophes in Biblical Hebrew Poetry III: Psalms 90150 and Psalm 1, OTS 63 (Leiden/Boston: Brill, 2014), 589606. strophe consists preferably of two or three verse lines.22. Access full book title Cantos And Strophes In Biblical Hebrew Poetry by Pieter Van Der Lugt, the book also available in format PDF, EPUB, and Mobi Format, to read online books or download Cantos And Strophes In Biblical Hebrew Poetry full books, Click Get Books for access, and save it on your Kindle device, PC, phones or tablets. The design is also supported by a strict regularity in terms of cantos and strophes: vv. Van der Lugt, P., 2006, Cantos and strophes in Biblical Hebrew poetry with special reference to the. van der Lugt, Cantos and Strophes in Biblical Hebrew Poetry III. ![]() This design coincides with a pattern of linearly alternating verbal recurrences. Henk Potgieter1 1Department of Ancient Languages. is dedicated to the study of Psalm 90 because this particular poem is. Alles immer versandkostenfrei Kostenloser Rückversand Zahlung auch auf Rechnung Mein Konto. The Wave-like Motion of the »Song of the Sea« (Ex 15,1–18) and the People of Israel as a Worshipping Community The Wave-like Motion of the »Song of the Sea« (Ex 15,1–18) and the People of Israel as a.Ībstract It is argued that, from a thematic point of view, the »Song of the Sea« (Ex 15,1–18) has a linearly alternating design, a wave-like motion: explicit praises of God alternate with portrayals of the fate of the enemies. Description: This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a tripartite form rather than the more common bipartite form. ![]()
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